Post-Impressionism

Post-Impressionism

Post-Impressionism is an artistic movement that accepts and at the same time rejects some of the principles of Impressionism. The beginning of Post-Impressionism coincided with the crisis of Impressionism in the 80-ies of the XIX century. This period is based on illustrating emotions rather than simple objects.

The Post-Impressionists were not united by a common program or common method. However they were connected with Impressionism and experienced its influence, they were not satisfied with Impressionist compositions, loss of integrity of form, and a sense of the materiality of the depicted world. Gradually, the artists began to search for new means of expression, not only instantaneous issues as a single moment as in Impressionism, but the realization of some long conditions. As a result, they invented new methods of illustrating the beauty of the world and the effective ways of depicting spiritual conditions.

A feature of the Post-Impressionism was the mutual influence of individual creative directions and systems. According to the article, Paul Gauguin, Georges Seurat, Paul Cezanne tried to restore a sense of order, which was not inherent in Impressionism, because the order enables to reflect the stability and materiality of the surrounding world. The Dutch painter Vincent van Gogh, seeking to capture on canvas the simple emotions and coming to expressiveness of a form and color, anticipated the emergence of Expressionism. He embodied mental consternation of a modern man with a special acuity of perception of the reality. His works include the overlapping of conflicts such as the admiration for the world and the piercing feeling of solitude in this world, the wrench and ongoing concern (Voorhies). Under his brush, the picture of simple houses or rooms was full of a real drama. It humanizes the world of things, giving his bitter hopelessness.

Another painter P. Gauguin tried to reflect the world of imagination and spirituality, realize the dream of harmony of the world. Actually, this painter always searched for remote places where he could depict the purity of the nature. Consequently, he visited such places as Brittany, Provence, Martinique, Panama, Polynesia, Tahiti, and Marquesas Islands. In Tahiti, he managed to create his most remarkable picture Ia Orana Maria that combined some unusual themes such as Adoration of Magi, the Annunciation, and Polynesian iconography. Moreover, he used extremely simplified illustration, the shapes of the depicted objects are deliberately flat, the paint is clean and bright, and the compositions are of an ornamental character. This masterpiece illustrates the beauty and purity of the painter's mind.

One more important representative of Post-Impressionism is Georges Seurat. He has a noticeable technique of analysis that was based on the notions of color and optical of that period. One of his famous paintings is A Sunday on La Grande Jatte (Study for). It portrays the painter's experimental style that was closely connected with Neo-Impressionism. The painting demonstrates the landscape with people who spend time relaxing.

To conclude, Post-Impressionism is a period in art that is connected with illustrating not statics objects but the continuous conditions. All Post-Impressionist masterpieces illustrate the real emotions, so the main subjects are landscapes with people there. Post-Impressionism is an important period in art, since it conveys spiritual side of the artists. Art, hstory of art, famous artists is what about Olivia Adamson writes about. More her papers and articles of other writer on different other topics you may find at https://freshessay.net/interview-paper-writing